[box]Singer-songwriter-mentor-performer-mother-philanthropist-healer: meet my beautiful friend, rock icon Robin Lane. Like many aspiring female rockers, I sat glued to MTV ( when it was actually about music) waiting for my favorite videos. One of theses was by Robin Lane & The Chartbusters—their big song, “When Things Go Wrong.” Years later Robin still writes, sings, and performs. She also dedicates much of her time to supporting people when things go wrong in their lives. Her nonprofit organization, Songbird Sings, uses songwriting and music to mentor people who have been through difficult experiences, such as sexual abuse, domestic violence, and human trafficking.
Now Robin Lane’s life story is about to come to the big screen, in a new film by Tim Jackson—named after the big song—and we are very pleased to have Larry Katz interview Robin just a few days before the movie premiere and benefit this Friday, April 4, at the Regent Theater in Arlington, MA.[/box]
“When Things Go Wrong,” the new film about Robin Lane, includes all the elements you expect to find in the story of a rock musician’s life.
Troubled childhood? Check.
Wild teen years? Check.
A shot at stardom with a major label record deal? Check.
The band’s breakup and the hard times that inevitably follow? Double check.
It’s all there in “When Things Go Wrong,” a new film which will be seen for the first time on Friday, April 4 at 7 p.m. at the Regent Theater in Arlington, MA, a premiere benefit screening that will include a live performance by Lane and her former band, the Chartbusters.
But—spoiler alert—the movie does not end with either the rehab stint or triumphant comeback found in your typical “Behind the Music”-style rock doc. These days Lane, the queen of the Boston new wave scene circa 1980, has found a new venue for her voice and guitar: leading songwriting workshops as a way to help victims of sexual and domestic abuse, at-risk teenagers, prison inmates, and the elderly.
While what Lane does in her workshops is a form of music therapy, she is quick to point out that she is neither a therapist nor a counselor.
“I’m a facilitator,” she said from her rural home in Western Massachusetts. “I facilitate these situations where people can, through songwriting, find a key out of their dilemma—a key to their own healing capabilities. My role is really just to help them find a way to write a song, to help them to heal themselves and get out of whatever they’re in that’s dangerous and not good for their lives.”
It’s not a job she consciously pursued, at least not at first, but it’s one that Lane has found herself eminently well-qualified for. Music, after all, had always been her own lifeline.
“I’d been writing songs for years,” she said, “and didn’t realize why. I’d always loved music, but if I hadn’t had songwriting I would be scared to think of what would have happened to me.”
Lane’s life story has more than its share of mental and physical hurt. Distant parents. Sexual assault. Domestic violence. Divorce. And a tantalizingly close, ultimately frustrating brush with stardom. When the first two Robin Lane and the Chartbusters albums failed to sell as much as expected, the band was tossed aside by their label, Warner Brothers. And after Lane gave birth to a daughter, Evangeline, she found she was no longer considered a serious contender in the male chauvinist rock world of the 1980s.
“I raised my child,” Lane said of her post-Chartbusters years. “Got married again. Had a couple of dogs. Played around. Made the ‘Catbird’ CD [ed. 1995]. Then I got divorced, around 1999.”
And almost without realizing it, she was embarking on a new career as a songwriting mentor.